Game of Thrones

Sanjay Trehan

Game Of Thrones (TV Show): Imaginative, Expansive, Explosive

D. B. Weiss, David Benioff, Game of Thrones, George Martin

Brace up, winter is coming!

Sexposition, blood, gore, mutilation and decapitation apart, Game of Thrones is most impressive, expansive, imaginative, explosive and overwhelming television drama that I have seen so far. One runs out of words to describe the magic and the majesty of this medieval fantasy hyperdrama.

I don’t think I can even attempt to review GOT. Such is the scale of its ambition that it dwarfs ordinary men.

Previously I had loved Twin Peaks, Lost, Peaky Blinders and Outlander but GOT with its fire-spitting flying dragons, the petite and conquering dragon queen, the dwarf and the eunuch, the king in the north, the three-eyed raven, the wall and the night king with his army of the dead takes storytelling to a different level.

This is a visual feast for the kings with all the accompanying melodrama and mayhem.

Its towering cities are full of murder, little birds that spy, degeneration and deceit — the games powerful people play and pay with their lives.

Each character, howsoever small and insignificant, is fleshed out and has a backstory.

And then there’s the Iron Throne that draws to itself the rivers of blood.

Can the unsullied be ever redeemed? Will a just world be created? Look at that assassin with no name with a half-formed smirk. How naive can I be!

The series is addictive, to say the least. It’s an opium drip that puts you in a perennial trance and you can’t get enough of it.

It’s substance abuse of the gigantic-cinema kind.

Those 67 hours were made by a time machine manufactured in Westeros. No, Martin, Benioff and Weiss cannot be human! I am currently experiencing withdrawal symptoms and can’t wait for mid April to snort the concluding S8.

Winter is here. So…

Will life ever be the same after the epochal and mind-altering Game of Thrones?

 

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