Obsession Finds the Horror in Modern Relationships
There’s a one-sided and disturbing relationship within Obsession, an indie horror from director Curry …
Articles for category: MOVIE REVIEWS
Toy Story 5 Review: The Heartfelt Batteries Still Have Some Juice
Once more, Pixar digs back into the toy box with Toy Story 5, directed …
Eyes Wide Shut (1999): The Loneliest Stanley Kubrick Film
Stanley Kubrick died of a heart attack six days after screening Eyes Wide Shut …
Lee Cronin Brings The Mummy (2026) Back to Life. Mostly.
Some horrors belong to the past. They should stay buried, sealed beneath the sands …
Ready or Not 2 (2026) is Darker, Messier, and Unevenly Satisfying
Ready or Not 2: Here I Come (2026) follows the original Ready or Not …
Wuthering Heights (2026) Review: A Sensory Transgression
The promotional campaign for “Wuthering Heights,” Emerald Fennell’s new adaptation of Emily Brontë’s classic, …
28 Years Later: The Bone Temple, a Grotesque Allegory of Our Contemporary Contradictions
With their slow, uncertain gait, zombies have long embodied our most unspoken fears. The …
Dhurandhar (2025) Review: Cinema as Arsenal
A film exists within the boundary of its maker’s intent. It cannot escape this. …
The Bengal Files (2025) Can’t See Through Its Own Smoke
There’s an urgency to The Bengal Files — a sense that something vital is …
Nosferatu (1922) Review: A Vampire Is Born
Back in 1922, in the era of black and white and silent film, there …
Mustang (2015) Review: A Poignant Tale Of Women Empowerment
Deniz Gamze Ergüven’s debut feature, Mustang (2015), begins with a line that could double …
Django (1966) Review: Bleak, Bold And Unforgiving
The path one is meant to tread is drenched in mud—the kind that seeps …
Stolen (2025) Review: An Unsettling, Sharp Debut
Thrillers have long been OTT catnip—gun-toting, knife-wielding heroes, anti-heroes wading through murky conspiracies. But …
Pink (2016) Review: Prosecuting Patriarchy
Few films hit where it hurts — Pink reveals how patriarchy controls in silence, …
Jaane Bhi Do Yaaro (1983) Review: The Art of Absurdity
Some of the greatest performances in cinema aren’t planned—they’re stumbled into. Satish Kaushik’s role …